Discussion is good - in life and democracy.
However, this may not be the best venue for this discussion. I would question the use of the word 'promote' as that and others have been tactfully employed whenever anyone appears in a medium others take issue with. I will say, again, that acknowledgment of someone's existence or experience - through a character or storyline - does not necessarily mean a creator or corporate conglomerate is advocating for or against anything. The inclusion of different types of stories with various types of characters is generally a good thing as it adds depth and perspective. Exposure to such things does not influence who someone ultimately becomes but can make traditionally marginalized or maligned groups feel seen and heard through tales and adventures that include people like them. I am sure we can all agree that has been true for us at some point in our lives. On the corporate side, appealing to emerging audiences and demographics is a valid business strategy and one that has lucrative potential. It's not even a new concept as companies have been at it for years. If it doesn't appeal to you, don't watch it. If you don't like it, don't do it/don't buy it. Not everything is for or about you. There is something to be said for recognizing something that doesn't resonate with you and letting it be.
But, let us get back to the purpose of this thread: The Acolyte.
With this latest episode, I heard echoes of Obi-Wan's words in my head: "...from a certain point of view."
After all, motives are driven, in part, by one's perceptions and experiences. There was, from what I gather, an inference to High Republic canon, e.g., the hyperspace disaster (in which Vernestra lost her master in, I believe) which led the Jedi to this world. From there, a lot of assumptions are made - from all parties - which lead to the titular choices.
Some thoughts:
Sol seems weirdly drawn to Osha. I mean, sure, he doesn't have a padawan but do they tell us why? Maybe he's a creeper or, more likely, struggles with attachment issues which manifests with Osha almost like an obsession. Having a padawan is probs a bad idea if he gets so bent emotionally - could be things from his own past he cannot let go of or is trying to compensate for and the council is like, no, bro. As far as getting her to leave with them, he sees what he wants to see and acts accordingly which leads to his killing Mother Aniseya. It could be interpreted as defense since it may have been unclear what she was doing but still seemed rather rash for the Jedi. Also, he previously said he watched Mae fall when in reality, he let her fall to save Osha. Certain points of view and all. He was so convinced they were in danger (Mae mentioning the whole sacrifice thing didn't help) but they acted without ascertaining first and failed to show any restraint that would prevent violence or loss of life. The Jedi were messy af here.
Force possession? Here for it. That manifestation of power was badass.
Indara is powerful, so much so that she decimates the coven via the psychic link while trying to save Kelnacca. Wild. Her willingness to obscure the truth about what happened certainly lends to the theory that the Jedi are their own worst enemies and likely why they were so unprepared for literally anything. Their own ranks were covering shit up left and right over the years to spare their reputation and justify their methods. Hate padawan Torbin (Oh, Tommen) but Indara is the team leader and showed a spectacular lack of control over the group.
Mother Korril was definitely an instigator here - also based on assumptions and point of view - but did we see her body? Is homegirl still around? Did she train The Stranger?
Once Osha finds out the truth, to the dark side she will fall!
Lastly, not sure they can wrap this up in a single episode in a satisfying way given how disjointed the execution has felt (at least to me) across the season. I do like the comparisons between ep 3 and ep 7 but unsure spending two episodes on flashbacks without a stronger present-day story anchor was the wisest creative choice - but willing to see how they cap it off.